I haven't talked much about music lately, despite it being an important part of life -- not just mine, but everyone's. It's because of the importance of music to our social and intellectual development that I despair for the musical literacy of our country; American Idol has conditioned the population to consume the musical equivalent of fast food, substituting quantity and glitz for quality and interpretative insight. (It’s sad when a vocalist vying for national attention can’t sing in tune, a basic requirement that seems to elude virtually all of their contestants. Hey, but they look good on camera!)
While most apparent in the pop music genre, this lessening of audience discernment occurs in the classical and jazz worlds as well (though to a lesser extent.) There are musicians and singers who become sensations despite not being at the top of their game, and others whose prodigious talent goes unfathomably ignored.
An example of the latter is jazz trumpeter Claudio Roditi. Originally from Brazil, he moved to the U.S. in the '70s and has been hard at work ever since. Virtually unknown to the casual jazz listener but held in high regard by other musicians, he continually surprises with the complexity of his improvisation. While some players can concoct equally sophisticated solos, Roditi does it musically; in other words, his playing is still listenable, still "swings", while having great depth and displaying superb technique.
Still he remains a somewhat obscure. This might be because his subtle style gets lost when relegated to mere background music. To appreciate what he's doing one must actively listen (which is, in my never to be humble opinion, the case with all good music.)
Here for your active listening pleasure is Claudio Roditi at his best: "Gemini Man", from a great 2007 live session with pianist Helio Alves, bassist Leonardo Cioglia, and drummer Duduka da Fonseca. Happy weekend!