Many people tell me that they'd love to have my job: "it must be
fun to play with all those cool guns and get paid for it!"
Lest others be deluded into thinking that this business is all fun
and games, allow me to supply a dose of reality: somedays it
literally doesn't pay to get out of bed.
Last Thursday was just such a day. It started with the need to make
a 'spud'. No, not a potato - a 'spud' is a metal pilot that aligns
a cutter with a bore. They're used as guides for such things as
chamfering chambers and crowning barrels.
You can buy them ready made, but they come in one size per
caliber-specific application. The problem is that if the spud is
even .001" off, the quality of the cut will be destroyed. They need
to be fitted precisely to the hole in which they will be inserted,
and the ready made variety never are. If good work is to be done,
they have to be custom made to fit the work.
Over the years I've made a wide range of spuds in various sizes,
and because of that selection I usually have one that will fit
properly. Occasionally, though, I run into a situation where I need
to make yet another one, which is what happened on Thursday. I
needed a .216" spud, and the closest I had was .214" - not nearly
good enough to properly crown the .22LR barrel on which I was
working.
Not a problem! I picked out some appropriate metal and chucked it
in the lathe. I made a couple of cuts to get close to finished
size, but when I measured the diameter I found that it tapered by
roughly .002" throughout the length of the piece! The spud is only
a couple of inches long, so a .002" variance in that length
ishuge. It renders the part
unusable.
It's also not supposed to happen.
Annoying, but not insurmountable. I thought that the lathe probably
just needed to be re-leveled, which hadn’t been done for a
couple of years. I leveled the lathe (which takes a couple of hours
if done very carefully), made a test cut, and....it was still
off!
Grrrrrr.
The next step was to check thelathe’s
tailstockfor alignment. The
tailstock, which supports the end of work in a lathe, has to be
precisely aligned along the lathe's longitudinal axis. Otherwise,
it pulls the end of the piece left or right, which leads to a taper
such as I was finding. I spent the time aligning the tailstock, and
a quote from the movie "Ruthless People" poured from my mouth: "Now
THAT oughtta do it!"
It didn't.
I went back, tweaked the lathe level, and aligned the tailstock
again. The problem persisted.
Put yourself in my place: I've got a top-notch Austrian lathe, the
best Swiss measuring instruments, and I'm making parts displaying
precision more appropriate to a Kalashnikov clone produced in an
unlit cave factory outside of Jalalabad. Something was wrong, and I
had to find it. The only hitch was that it was now dinnertime, and
due to skipping lunch I was as hungry as could be. The problem
would have to wait until the next day.
Friday morning I came into work determined to find the cause.
Double checking everything revealed no clues. I replayed the issues
in my head, while at the same time resting my hand on the
tailstock. I looked down, and it came to me: the live center in the
tailstock must be the source of the problem. It was the only thing
I'd not checked.
A live center looks like this:
The cone-shaped bit is inserted into a hole in the piece being
machined, and the other end goes into the tailstock. The cone
revolves on precision ball bearings, keeping the piece aligned as
it's rotated by the lathe. Any rotational error will result in
inconsistencies in the finished part.
A quick check with a quality (Swiss) test indicator confirmed my
fears: .0025" wobble. I checked the piece I'd machined, in several
orientations, and sure enough - not only was it tapered, it was
also slightly oval, which is exactly the error a worn live center
would produce. Bingo!
I ordered up a new live center from my favorite online tool
supplier (www.mscdirect.com), and on Monday the smiling
UPS man delivered it to my door. The center quickly proved to be
the answer; the rotational error was less than .0001", compared to
the .0025" wobble of the old one.
With the new center a perfect spud was easily produced, the barrel
was beautifully crowned, and the gun will soon be on its way back
to a happy shooter.
It only took me a day and a half, plus a not insignificant amount
of cash to find and fix the problem. So, want to tell me again how
you wish you had my job?
One of the hardest things to predict in this business is workflow.
The shop will be humming along, work flying out the door, then
suddenly a few large projects (total customs or heavy restorations)
come in and the work slows to a snail's pace. Those bottlenecks
seem to come in groups, when they're most difficult to deal with.
It makes mincemeat out of the most conservative projections!
---
Occasionally someone will suggest that being a one-man shop is
limiting the amount of business I can do, and that I should take on
employees. Aside from not wanting the hassle (I was once a
corporate lackey with a pile of employees to handle - I know of
what I speak), there's also a bit of personal pride involved: if my
name is on the work, I think it's important that I actually do said
work. If it's good, I want the accolade, and if it's bad I don't
want to be reduced to pointing like a 5-year-old and screaming "but
it's HIS fault!"
There exists today a well-known gunsmithing concern whose very
talented owner used to do all his own work. He "progressed" to
having employees, but supervised their work closely. Judging by the
recent experiences of several of my clients, he's been reduced to
sending out emails explaining why their shoddy work is actually
better than the quality product he used to provide.
Personally, no amount of money (or time savings) will convince me
to do that - my clients deserve better.
Dog people, I need some advice. We have a year-old
Shepherd/Newfoundland mix who won't sleep in the spacious,
insulated doghouse we've provided. He'll go in to eat, and he's
been known to voluntarily pile his toys in it, but he sleeps on our
porch exposed to the rain and wind. One would think that sooner or
later he'd get cold enough and wet enough to use it for the
intended purpose, but it has yet to happen. Should I just leave him
to his misery, since it appears to be of his own choosing?
Tommy The Pharmacist sent me an email suggesting Icheck out the latest ProArms
Podcast. (I'm a week behind on my
listening schedule, despite being subscribed to their feed.) This
week it's the "Revolver Roundtable", and it's great - have a
listen.
(Oh, they do mention a certain revolversmith. Wonder who it might
be??)
I'm currently working on a special project based on a Ruger GP100.
One of the client's desires is for custom grips made to his
specifications. This is where I'm hitting a dead end!
I've spent countless hours looking, with no results, for a custom
gripmaker who will work with the GP100. This is why I'm asking my
readers, who are some of the most savvy gun enthusiasts around, for
help.
The client wants true customs with top notch fit and finish. This
automatically disqualifies all of the mass producers, as well as
places like Eagle and Ahrends. Since he wants grips made to his
desires, the "pattern makers" like Spegel are out, as well.
Are you aware of a custom gripmaker who is not widely known, and
perhaps isn't even on anyone's radar? The ideal candidateMUST:
1)
Produce first-class work - nothing less.
2) Be able to make grips for the GP100.
3) Understand the unique needs of concealment ("combat")
grips.
4) Be able to produce a grip to fit the client's
desires/hands.
Beyond that, someone who works in non-traditional materials
(micarta, stabilized spalted wood, etc.) would be most welcome. The
client isn't set on any specific material; as long as it
complements the gun, he'll consider it.
Price is not a concern, as long as it isn't significantly out of
line for work of the caliber required. The client knows what first
tier work is (this is not his first custom gun), and is willing to
pay appropriately.
Now, understand that I've been looking for a while; if the person
appears in the first 10 or 15 pages of a Google search for "custom
revolver grips", I've probably already contacted him/her. Yes, I've
heard of the smaller custom shops like Herrett's, and have
contacted countless makers who list Rugers - just to find that they
only do grips for Cowboy shooters using guns such as the Vaquero.
So, before you send that email, please re-read the criteria above
and be sure that your candidate can meetallof them.
As an incentive, the person who supplies information leading me to
the right maker will get his/her choice ofany shirt in my CafePress
storecollection! For the
gripmaker, in addition to becoming a customer I'll do my best to
get his/her name in front of a much larger audience. It's a win for
me, the client, the gripmaker, and you!
Getting a late start today, and that means I'm already behind for
the week. Sheesh - where does the time go?
---
Tam talks about the checkering on her
gun.
While this would seem to be an issue limited to autoloaders, sharp
edges on the trigger and frame (particularly inside the cylinder
window) have the same effect for wheelgunners. When people ask
"what's the best modification I can do to my revolver?", I usually
say round the trigger and dehorn the gun. It makes shooting much
less of a chore.
---
Every so often a client will send me one of the S&W Scandium
guns for work, and I'm always reminded of how much I dislike
shooting the little beasts. Even with standard pressure Specials,
the recoil gets to me very quickly. I can't imagine actually
shooting one with Magnum loads, and I intend to never find
out!
For me it's merely discomfort, but for others the experience could
prove more serious.
I constantly encounter women who've been sold those guns, because
the sales clerk wrongly assumed that "light" was synonymous with
"best for the little lady." This weekend I ran into yet another
such case: a thin, older lady. She wanted to know if the Magnum
rounds the shop had sold her with the gun would be good for her to
shoot! (My immediate thought was "only if you use them on the idiot
who sold you this thing!", but I held my tongue.) I cautioned her
that the combination of those rounds with her very thin, somewhat
frail build could result in permanent nerve damage to her hands. I
hope she got the message.
The best recommendation I have for such cases is a box of the 125gn
Federal Nyclad standard-pressure Specials.
---
Serendipity...I wrote last week about a 2" Model 15 I'd recently
worked on, and since then I've run into several of the things. The
latest was yesterday, when buddyJim Jacobeopened a case
and said "weren't you just talking about how much you liked these?"
I swear, if I wrote about a.577 Tranterhe'd pull one out of his
safe to show me...
---
Now it's time for me to get some work done. Happy Monday!
A recent job on a 2" S&W Model 15 brought back my admiration
for the medium-framed "snub." This is a class of revolvers that
seems to get no respect, and for reasons I can't quite
fathom.
They're easy-carrying belt guns, quick out of the holster and
carrying six shots - not to mention a delight to shoot. In the last
month or so I've found myself contemplating a modern example on a
Ruger GP100. Anyone else interested in such a thing?
The only major hangup I'm having is finding someone who can make
proper concealment grips. They need to be short with no silly
fingergrooves (I believe I've made my feelings about those quite
clear), and getting that combination is proving to be a challenge.
I'm told that Eagle will make their "Secret Service" grips to fit
the GP, but a) I've not seen any, b) they don't have pictures of
them on their website, and c) I've never been terribly enamored
with their quality to begin with. The search continues...
---
One necessary mod is a reworking of the sights. As my eyes continue
to age I've learned some important things about shooting with
degraded vision, and any new gun I make for myself must carry some
sort of "enhanced" sighting system. (Yes, I have some ideas, but
nothing I'm ready to talk about!)
Occasionally someone will ask me if the muzzle crown is all that
important. In the past I'd probably say something like "only if you
want the bullet to go where you're aiming!", but I'm trying to
reduce my percentage of flippant answers. Today I'd put it more
lawyer-like: "it depends..."
The crown is the edge of the bore at the muzzle. It's important to
point that out, because it's not unlike the edge of a cliff. Once
you've fallen over the edge, you have no chance to change your path
(unless you're Icarus, in which case I'd really like to talk to
you.) The edge of the bore, where the rifling ends, is likewise the
last chance for the barrel to properly direct the path of the
bullet.
The edge needs to be perfectly perpendicular to the axis of the
bore; if it's not, as the bullet leaves the barrel one side might
be clear of the barrel, but the opposite side will still be
touching. This can introduce instability to the bullet, reducing
the accuracy of the shot.
Even when correctly squared, a crown with a nicked edge can have
the same effect. If the last thing that touches the bullet imparts
any directional friction, like a nick or burr, the bullet path will
be compromised.
It's amazing now small an imperfection can affect the accuracy of a
barrel. I recently had a battle of wills with a Mossberg M44US
rifle. This was a target .22 that Mossberg sold on contract to the
U.S. military back in the late 1940s. They have a reputation for
being quite accurate, and every example I've ever shot held up that
reputation - except this one.
I could not get a decent 5-shot group out of the gun to save
myself. I tested 15 different loads in the gun, went over it with a
fine-tooth comb, and still got flyers in every group. I looked at
the crown, and it seemed perfectly fine, but still the gun wasn't
accurate. After exhausting every other possibility, I decided to
recrown the barrel.
The edges of the bore seemed fine, but the first pass with the
crowning reamer told the story: the crown was ever so slightly
crooked. We're talking perhaps a couple of thousandths of an inch,
which isn't a lot. I cut a perpendicular crown, and took the gun to
the range.
Night and day.
The gun now shot like a 44US is supposed to! Beautiful groups from
Wolf Match Target (aka SK Standard Plus, aka Lapua SC), which had
shot no better than cheap Remington bulk prior to the recrowning.
The crown had seemed to be a non-issue, even under magnification,
but before and after targets proved that even tiny imperfections
can make a huge difference.
It's only Monday, and I'm already two days behind!
Quick response to a recent comment about the Cylinder & Slide
XL firing pins: no, I haven't found them to be fragile. In fact, I
have yet to see one break. That isn't to say they can't, or that
perhaps that some folks haven't had issues, but in the
I-lost-count-a-long-time-ago number I've installed I haven't seen
or heard of any failures.
The crane worked its way out of the frame, taking the cylinder with
it. (You can hear the distinctive ring of the crane hitting the
ground at 1:04.)
The submitter of the video - who is also the shooter - calls it a
"defect", but is careful not to identify just what the defect might
be.He then goes over to ar15.com, where he
poststhe cause as "shitty metal"
and says that some gunsmith claims to have seen several with
identical failures. (I should note that I have yet to see even one
such failure.) He also says that the crane retention screw was
still in the gun.
Some background: the crane, which is the piece on which the
cylinder rotates, is held in place with a screw. (Those of you with
S&W revolvers can look at the right side of the gun, and the
screw that sits just above the forward attachment point of the
trigger guard is the crane retention screw.) On newer guns it
contains a spring-loaded plunger which holds the crane, on older
models it was simply a slightly longer screw.
Since he claims this to be a "newer" gun, it's no doubt of the
spring-plunger variety. (As an aside, note that the other
participants in the thread seemed surprised by this, to their
minds, "recent" change. Apparently none of them are aware that the
spring plunger was adopted clear back in 1986, no doubt before some
of them had even been born!)
Back to the topic at hand...if that screw works sufficiently loose,
it will give the crane enough clearance to slide out, but the screw
will remain in the frame. On quick glance, is may even appear to be
properly installed. If the screw is out just the right amount, the
crane will be just barely retained, but will separate with a little
forward pressure - during a speed reload, for instance. Under those
conditions the tip of the plunger and the mating surface on the
crane can both be slightly damaged, leading the inexperienced to
conclude that they were defective in some manner.
So, faulty gun - or something else?
In the forum post, the shooter tells us he changed the mainspring,
but insists he didn't remove the sideplate. Now understand that I
do that task on a very regular basis, and even I remove the
sideplate to chainge the mainspring - it's a serious hassle to do
otherwise, especially with the new (post-lock) guns. Once finished,
it' easy to replace the sideplate but neglect to fully tighten the
screw. (It's even easier to forget to check that screw every so
often, even if one hasn't messed with it!)
Remember that I don't have the gun in hand to inspect, and I'm
willing to give the fellow the benefit of the doubt, but I have not
heard of, nor seen, any crane retention failures caused by "shitty
metal." I have, however, seen lots of them from failure to tighten
the retention screw.
If you remove screws from your revolver, be sure you do two things:
first, make sure you put them back in their proper holes (they are
different), and make sure they're very tight. A dab of low-yield
LocTite ('purple', type 222) will ensure that they stay in place
but won't hinder their removal.
Even if you don't remove them, it's a good idea to check them
occasionally. It's part of normal revolver maintenance and the
responsibility of the informed user.
If you've read myLubrication 101 article, you know that I'm a big
fan of the Lubriplate SFL series of greases. Unfortunately, they
are hard to get; there are no consumer-quantity online sources that
I know of, and even the company that once supplied me is no
longer.
There is another good choice: the Lubriplate FGL line of greases,
which are available in more consumer-friendly packaging - but still
hard to find in anything less than case quantity. I remain amazed
that Lubriplate makes such terrific products, then makes it so hard
to buy them!
Reader Chris S. sent me an email regarding an alternative:Dow-Corning G-0050. It looks good;
whiletechnicallynot quite as robust as the
SFL or FGL products, it's a close second - and is still head and
shoulders above any lithium-based product that you'll find on the
shelves at your local gun store. It's available in single tubes
fromMcMaster-Carr- who have one
of those annoying sites that won't let you link directly to an
item, but their catalog number is 1445K41.
I recently received an email asking my thoughts on Taylor Throating
- the procedure where a reamer removes the rifling for roughly a
half-inch past the forcing cone, and the edges of the lands are
chamfered to match. The concept is to make an area that allows the
bullet to 'stabilize' after jumping the barrel gap, but before
entering the rifling.
Taylor Throating is somewhat controversial, with some holding it to
be the greatest thing since peanut butter, while others claim that
it is pure snake oil. In the interest of full disclosure, I don't
offer the service - even though I've invested in the equipment -
simply because I remain agnostic regarding its value.
Reports of miraculous results seem not to have occurred under
controlled conditions. By that, I mean tested on a gun without any
changes other than the throating. The glowing reports tend to be
from those who had a lot of other work done at the same time,
including timing and forcing cone changes. It's hard to say if the
positive reports are in fact due to the throating, to other work,
or to something subconscious on the part of the shooter doing the
testing.
I've experimented with Taylor Throating on a properly maintained
Dan Wesson .357, using several 6" barrels, and shot by two
different people (one of whom was your author); the results were
inconclusive. When a barrel with just the throating was tested,
there was a slight increase in accuracy - but it was not
consistent, nor large, enough to rule out normal shooter
performance variation. A barrel prepped with a proper crown and an
11 degree forcing cone (as pioneered by Ron Power) achieved a
definite positive result, roughly equal to what is said to be
expected by some Taylor advocates.
My preliminary opinion, based on my admittedly limited experience
with the technique, is that a proper forcing cone and a perfect
crown still produce the most noticeable accuracy improvement. Of
course, this is assuming that the gun is in perfect condition
(timing, cylinder/barrel alignment, etc.) to begin with.
There are a couple of specific conditions where Taylor Throating
might prove useful as a salvage technique: when the barrel/cylinder
alignment is just a hair off in the vertical axis, or where there
is a noticeable constriction in the area where the barrel screws
into the frame. In those cases accuracy changes in excess of what
would normally be expected have been reported, and may be
legitimate. There are also some indications that it may extend the
useful life of a severely worn barrel, where replacement is
difficult or economically unwarranted.
Some specific downsides have been identified, however. If the
throated area is even a tiny amount bigger than the chamber throats
(or the bullet diameter), lead bullets will suffer "blow by" and
gas cutting - severely leading the barrel, and definitely
decreasing accuracy.
In the end, it's your choice. I'm not ready to call it a fraud, but
neither do I see a definite positive benefit to having it done.
When I come up with solid evidence on either side, you can bet I'll
report it here!
Thanks to the many people
who have entrusted me with their guns, I am enjoying a surplus of
requests for work. In fact, for reasons that are not entirely clear
the requests keep increasing, especially in the last number of
weeks. This is both gratifying and concerning.
Up until this point, I've taken everyone's name and put them on a
waiting list. This worked nicely when I was only a month or two
backlogged, but now I'm up to a year behind - and the list keeps
growing with no end in sight. The management of the list (answering
inquiries, etc.) has now become a time-consuming endeavor unto
itself.
To tell you the truth, when I first started in this endeavor I sort
of harbored the dream of being able to casually say "oh, I'm
so-many-years backlogged", accompanied by a flippant wave of the
hand. Now that I'm at that point, it's not as pleasant as I thought
it would be, because I'm more concerned with the positions of my
clients than with my own. I have so much work to do that guns
anticipated for holiday gifts won't make the date, and mostly not
even the season - and that bothers me.
I'm sure that some other 'smiths are in the same situation, but
I've come to the conclusion that it is unconscionable to continue
to accept "reservations" which are so far out, I can't possibly
predict whether or not I'll be able to make the date. I'm acutely
aware that my skills at time estimation are not as good as they
should be, and I find my chronological errors growing in scope as
the length of the list increases. That's not fair to you, my
clients and prospective clients.
So, as of today I am no longer accepting new clients until I've
worked the waiting list down to a more reasonable level. Those who
are on the list are, of course, still on the list - I just won't be
adding to that list for a while.
If you have wanted to have me work on your guns, but are not on the
list, I apologize for my unavailability. As soon as the list has
shrunk to the point that I feel comfortable putting people on it,
I'll make an announcement and open the list for new work.
Of course, the Blog will still be here to amuse and - hopefully -
inform you.
It occurs to me that not
everyone who stumbles into my little corner of the internet
necessarily knows whether he or she needs my services. I receive
quite a number of emails that essentially ask "should I have a
trigger job done on my revolver?"
(I am aware that asking a gunsmith that question is tantamount to
requesting that the fox guard the henhouse. Still, I'd like to take
a crack - hopefully a fairly objective one - at the topic.)
There are a lot of factors involved in this decision. Are you happy
with the action of the gun as it is? Do you have a frame of
reference to really know if you're happy with it? Are you able to
tell the difference? Is your experience level such that you can
take advantage of the results?
Believe it or not, it's the second of those questions - having a
frame of reference - that is the most important. Without it, the
others can't be addressed in any meaningful way. Simply put, have
you had the opportunity to handle (and preferably shoot) a revolver
whose action has been tuned by a good gunsmith? I don't mean a
factory "custom" gun - I mean a real custom from someone who knows
their stuff. The difference can be like night and day, and until
you have one in your hands everything might seem good.
It's a little like eating a great steak; if all you've ever had is
hamburger, you can't imagine how good a steak is. Once you've had
the steak, though, the hamburger is far less satisfying than it
used to be. Your ability to judge has been expanded by your
experiences, and the same is true with the action on your
revolver.
True story: I was at the gun counter of a large outdoor retailer
one day, and they had just gotten in a then-new S&W
"Performance Center" wheelgun. (If memory serves, it was a 627.)
I'm always interested in what's coming out of the P.C., so I asked
to see it. Right away I noticed serious shortcomings in the fit and
finish, but when I pulled the trigger I was taken aback: the double
action quite literally felt like someone had stuck a playing card
in a bicycle's spokes! I shook my head as I handed the specimen
back to the clerk.
Before he could put it away, however, someone else came to the
counter and asked to see it. This fellow and his buddy gushed
enthusiastically as they looked the gun over, finally pulling the
trigger. The guy holding the gun said "man, you have got to feel
this trigger - it's like butter!" The second fellow tried it and
concurred that it was the "best trigger I've ever felt - boy, you
sure get what you pay for with a Smith & Wesson!"
Propriety forbade me from educating them and possibly ruining a
sale for the store, but the incident serves to illustrate that some
people perhaps don't know that there can be something better. (In
some cases, a whole lot better!)
Once you have a standard - a frame of reference - against which you
can judge, you can then answer the first question: are you happy
with what you have now? You may in fact be quite happy; your gun
may be good enough for the task at hand, even if it isn't the very
best. For instance, my wife and I have gotten along for many years
- quite happily, I might add - with a plain old RCA 21" television.
(Yes, a twenty-one-inch!) Your children probably have better
televisions in their bedrooms, but for us it is good enough. We
don't watch much TV, rarely play a movie (we own exactly 3 DVDs),
and thus for our use it is perfectly fine. On the other hand,
someone who likes to watch lots of sporting events, or is a movie
buff, would find it annoyingly limited.
Can you appreciate - and take advantage of - a highly tuned action?
Can you tell the difference between what you have now and what it
could be? This isn't as silly a question as you might
believe.
Case in point: I'm not much of an oenophile. I can count the number
of bottles of wine I've drank in my 40-plus-years on one hand, with
fingers left over. (Yep, I'm a lightweight.) I have, however,
tasted some very expensive and special wines at various functions
over the years, and therefore have the necessary frame of
reference. On me, though, the differences between a good wine and
"Two Buck Chuck" are lost. I simply can't appreciate the
difference, and what's more I don't care because I don't drink
enough wine to enable me to care!
The same is true with revolvers. Many people, some of them very
good shooters, really can't feel a difference between a factory
action and a tuned one. One day at the range I handed my personal
Colt Detective Special to a fellow who had been shooting a
bone-stock example. They were like night and day - the factory one
stacked horribly, was rough as a gravel road, and weighed in at
roughly 12 pounds. Mine? Buttery smooth, no stacking, and broke
right at 9 lbs. This fellow, however, couldn't tell the difference
- he handed it back with an apologetic look and said that he was
sorry, but it didn't feel any better to him!
As you might surmise, I was a bit disheartened. But it illustrated
to me that not everyone cares about this stuff as much as I do, and
it would be unconscionable of me to talk them into something that
they really don't need - at least, not right now.
The foregoing is a long-winded way of saying that if you don't know
there is a difference, can't feel the difference, or don't care
about the difference, don't feel pressured to spend money - with me
or anyone else. Whether it comes from shooting magazines, gunstore
commandoes, or even my website, don't buy what you know in your
heart you can't use. Spend the money on ammunition instead, and
enjoy yourself.
(Boy, I hope I haven't talked myself out of a job!)
First, I'd like to thank
everyone for reading this series, and for the terrific emails I've
been getting. I'm gratified that many of you share my interest in
good looking revolvers, and in what garners that appellation for
each of us.
While not exactly part of the series, I'd like to take some time to
convey my thoughts with regard to customization, and the kinds of
work that adds to, or detracts from, the look of a wheelgun.
To start, I consider very carefully what I do to a revolver before
taking file (or anything else) to metal. I think the project
through; how will my work affect not only how the gun functions,
but how it looks? In some cases the work helps (or at least doesn't
hurt) the aesthetics of the gun, while in other cases it looks
horrid.
For instance, let's take the act of bobbing a hammer. Not only does
the result have to work correctly, but it has to serve the same
visual function as that which it replaces. For the Colt and S&W
guns, I've come up with two different approaches to the problem,
which I believe look good on their respective marques. (Can you
believe that I don't have a single picture to show? I've been quite
negligent in documenting my own work!) Both are different than what
most others do, and both are harmonious with the overall design of
the guns.
In the case of the Ruger revolvers, I haven't yet hit on just the
"right" modification. I do a lot of them, and have come up with
something that isn't too bad, but it's no different than any number
of people already have done - and I'm not really happy with the
look. I've recently gone to the extent of scanning a Ruger hammer
in to Photoshop so that I can "play" with the design - which I hope
will lead me to the nirvana I seek. Wish me luck, as there isn't a
lot to work with in their existing design!
Sometimes clients ask me to do things which I believe in my heart
will look awful. A common request of late is to mill flats on the
sides of barrels, ostensibly to shed weight. (I think the real
motivation is a desire to make it look "modern" and "custom" and -
dare I say? - "racy.") Sadly, in every example I've seen - and I've
seen a LOT of them - the look is at odds with the rest of the gun.
(Remember the concept ofunitywe discussed in Part 3?)
Consequently I shrink from the prospect of doing them, and gently
steer the client to something else. (In some cases I've sent the
most intractable to another gunsmith, rather than be the proximate
cause of yet another ugly gun!)
Are there instances where that type of embellishment might be
appropriate to the overall design, and where I might consent to
doing the job? Perhaps - but off the top of my head, I can't think
of one. (Save, perhaps, for the already-blocky Dan Wesson heavy
barrel shrouds - but I think there is a better approach to that
particular assignment.)
This is where the marketing and customer relations parts of my head
chime in, no doubt in concert with a few readers: "it's your job to
do what the client wants, not what you want!" Yes, that's true -
but the selfish part of me wants to ensure that a decade from now,
people won't be referring to my work as "butchery." I confess to
giving in to my selfish side, though in this case I believe that it
is in the best interests of the client to not butcher his/her
gun!
On down the line the deliberations go, each part of the work
carefully considered both on its own merits, and in tandem with the
other parts of the design. It has to work well, and it has to look
good; I can't bring myself to do either separately. Perhaps I'll
never become a huge gunsmithing conglomerate with such an attitude,
but at the end of the day I can look back at what I've done, and
smile with the knowledge that I've contributed - in a small way -
to making the world just a bit better looking.
Life is too short to shoot - or to make - ugly guns. We'll leave
that to the autoloader brigade!
The latest argument from the "experts" delves into Colt advertising
history. Way back when, Colt's advertisements stated that their
small revolvers were suitable for use with the .38-44 "Heavy Duty"
round, which was the predecessor to the .357 Magnum - but in a
Special-length case.
When the Magnum was introduced, the .38-44 went away. It wasn't
until many years later that the more hotly loaded .38 Special +P
made its appearance. It wasn't a throwback, however - it was still
lighter than the .38-44. (Think of the +P as being between the
regular .38 Special and the .38-44 in terms of power, and you won't
be terribly far off.)
The "experts" quickly point out that the .38-44 is far more
powerful than the .38 +P, and the fact that Colt advertised the use
of .38-44 ammo in their guns is some sort of “proof“
that Colt's last factory recommendations for proper loadings are
somehow “wrong.“ They conclude from all of this that
using unlimited amounts of +P ammunition in small frame Colts is
perfectly fine.
Such opinions, aside from flying counter to those of the people who
actually designed and constructed the gun, ignore certain realities
of the times involved.
Yes, Colt did say in print ads that their guns were rated for the
.38-44 round. It doesn't say that the guns wouldn't experience
increased wear, however, nor did it say that they could use that
load regularly! When one examines the ads, it is obvious Colt was
saying the guns wouldn't suffer catastrophic failure from firing
those rounds, andnotthat there would be no
long-term consequences from doing so. There is a difference!
It's important to remember that, at the time, a) there were a huge
number of trained Colt gunsmiths; b) Colt was producing, and had
available, parts for all of the guns (including the frames); c)
shipping restrictions, as in sending guns back to the factory, were
non-existent making factory service far more affordable.
Finally, there was a different gun culture in existence. Today we
think nothing of shooting a hundred rounds just in a quick trip to
the range, but back then it just wasn't like that. A Colt revolver,
even in police service, might only see a hundred rounds a year.
Outside of that, it was extremely common - perhaps the norm - to
buy a new revolver and a box of ammunition, and a decade or two
later still have more than half that box of ammo!
Handguns just weren't shot all that much back then. Handgun hunting
was virtually unknown, handgun sports (outside of regulation
bullseye) didn't exist, and handgun shooting as recreation wasn't
common. Handguns simply weren't used as frequently, and under those
conditions the very occasional cylinder of .38-44 rounds wasn't
going to hurt anything.
That's why Colt makes the 3,000 round recommendation for the use of
+P ammunition in their recent production revolvers. 3,000 rounds
doesn't sound like a lot to us, but even a police officer back in
those days wouldn't expect to shoot that much in his entire
career.
Once you consider all of the facts, it becomes clear that there is
no contradiction between what Colt said then and what they say now.
Times have changed, and their recommendations have changed as
well.
Well, that's an easy story: I didn't have a summer vacation! I did,
however, take part of Labor Day off and head to the range. (You
were wondering why there was no post on Monday? Did you really miss
me?)
You see, I don't get to shoot much any more - at least in the sense
of being able to sit down, concentrate on one thing, and just enjoy
myself. When I go to the range, it's always with a half-dozen
client guns, each of which needs to have 50 rounds of test ammo put
through it. The order of those days is "get in, get out, get back
to work." It's not at all fun, it's work. Seriously. Quit
laughing!
Monday was different. I went to the range with a friend and just
enjoyed myself. (Okay, I did have a client's gun to test - but that
went pretty quickly.) I got a chance to play my favorite game: see
how many shots I can place on the 200 meter metallic ram target,
using a snub-nose revolver, from standing, shooting double action
only. Yes, it can be done, though admittedly a good result is a
round or two per cylinder connecting. The rest will generally hit
just a tad low, because it's a bit difficult to estimate holdover
when the barrel of the gun is obscuring the target.
My friend was shooting a Ruger New Model Single Six with the .22WMR
cylinder installed. He is a phenomenal shooter, and has always been
unhappy with the groups from this particular gun. At 15 yards it
would print patterns of 4 or 5 inches in diameter, no matter what
ammo was put through it. The poor performance wasn't limited to
this example, either - this was the replacement he purchased for
the first example, which would do no better! To say he was
disappointed with the Single Six is a massive understatement.
He figured that he couldn't possibly make the situation any worse,
so he examined the gun with an eye to figuring out what was wrong.
He notice that the barrel crown was slightly off center and out of
square (not unusual, sad to say, with Ruger.) He took a 45-degree
chamfering cutter and made a deep, properly centered crown on the
barrel.
The results were night-and-day. The gun, which formerly produced
groups that my shotgun would beat, now puts rounds on target with
all the holes touching. At one point, we stood in front of the
targets and I said "you know, we really should have kept the old
targets so that we could make a before-and-after picture!" Another
lost opportunity...
The muzzle crown is a phenomenally important contributor to
accuracy in both handguns and rifles. It is the last thing that the
bullet touches, and if it is nicked, off center or out of square
accuracy will suffer. That's why I closely inspect the crown on
every gun that comes in, and if I think that recrowning will help
I'll suggest to the client that it be done. It isn't always needed,
but it can pay huge dividends when it is!
-- I've been thinking that the reason revolvers don't seem to
capture much attention any more is because no "high speed low drag"
kind of people use them. Unfortunately, pointing out that France's
GIGN used to issue revolvers probably isn't going to have the
desired effect!
-- Ruger's QC continues to be hit-and-miss. Just this week, I got
in a new 3" GP100 with the barrel screwed in too far (canted to one
side), and a 4" example that didn't time correctly. I continue to
recommend them as good base guns for custom projects, because once
they're sorted out they make a superb custom - and you'll never
wear one out. Probably best, though, to buy in person, and inspect
carefully.
-- I get an unexpectedly large number of inquiries as to what I use
as a bore cleaner. I've used the homebrewEd's Red formulafor years, and have found
nothing else that I like more. (I do use Hoppe's 7.62 formula for
jacket fouling removal, however.)
-- The number of Detective Specials that are still in use as police
backup and off-duty guns amazes me. Hardly a week goes by that I
don't get at least one email or call from a LEO who is still using
one in a secondary role. I've said it before, I'll say it again:
S&W is missing a big market for the small 6-shot revolver.
(Colt, of course, is missing out too - after all, they hold the
designs for the Magnum Carry, but they don't want to make revolvers
any more.)
-- I'm working on pictures for a new entry on theRecent
Projectspage. I won't divulge any
more than it is, for once, not stainless. Stay tuned.
-- A non-relevant entry: got the latest versions ofiLifeandiWorklast week.
Verdict: Pages is finally a heavy hitter, Numbers is really cool,
and the latest version of iPhoto is worth the cost all by itself.
It's a great time to be a Mac user!
That's it for today. Boy, am I glad to get all of that out of my
head!
In the Gunsmithing pages of
this site, I endorse the practice of rendering defensive revolvers
double action only (DAO.) Many people ask why, and I thought I'd
give you my thoughts on the matter.
Let's start with the usual argument for retaining single action
capability, which I call the "Walter Mitty scenario": the mythical
need for making precise long range head shots. Let's face it, folks
- this just never happens in real life!
However, let's say that you're having aJack
Bauerkind of day and are now
facing just this scenario. Mightn't that be just a tad bit
stressful? Wouldn't that make you even more nervous, knowing that
you'll be trying the toughest possible handgun shot under the worst
possible conditions? With all that adrenaline now flowing through
your system, is this really the time that you want a light, short
trigger pull that is very easy to accidentally release? Not me,
bunky!
This is the reason for DAO: light single action triggers are great
on the calm shooting range, but pose a liability risk for
unintentional discharges under stress. As Massad Ayoob says, single
action triggers are great shooting tools, but lousy threat
management tools.
Now I I know what you're thinking: "OK, but I promise I'll never
use it!" I'm sure you mean that sincerely, but It's been well
established over the decades that people tend to do in combat what
they do in training.
It's human nature to practice what we're already good at, and to do
that which is easiest for us. At the range, it's not uncommon to
watch someone shoot a revolver at, say 50 feet and become
disenchanted with their groups. At that point, they usually switch
to the easier pull of the single action, and shoot that way. This
imprints their subconscious to use single action when they are
unsure of their abilities, and this may be what they revert to
under stress.
Once that act of thumbing back the hammer has become habit, another
problem crops up: the Hollywood-inspired (and reinforced) act of
cocking the gun to show the bad guy that you "really mean it!" I'll
refer you back to the second paragraph, with emphasis.
(Yes, I know you'll promise not to do that either. But if you've
told your subconscious that cocking the hammer is accepted shooting
technique, do you think it'll ask your conscious mind for
permission when the time comes - especially if decades of TV and
movies has told it otherwise? Of course not! "Besides", your
subconscious thinks, "ifTyne Dalycan do it, why can't
I?")
Removing the SA capability eliminates the chances of any of this
happening. (If you make the conscious decision to carry a gun with
SA capability, I recommend that you attend theLethal Force
Institute's "LFI-1" class, where you will learn how
to defend that choice - and counter any false claims that may arise
from it - in court.)
From a gunsmithing perspective, I've found that eliminating the SA
capability can, on some guns (Colt and Dan Wesson), give a bit more
leeway in terms of honing the double action. Without the need to
worry about the single action sear, the double action can be tuned
far more radically than is otherwise possible. In S&W and Ruger
guns, reducing the DA pull to the barest minimum (as some request)
will result in an unconscionably light SA pull - often below 32
ounces. Eliminating the SA notches means that this ceases to be a
worry.
Speaking for myself, I didn't start to shoot DA well until I'd
gotten rid of the SA capability completely. True story:
one day (many years ago), shortly after transitioning to shooting
only revolvers, I was participating in a match (Bianchi type.) I
was having trouble with missing those little round steel plates
they use for one stage, and it was making me madder and madder. At
one point the buzzer sounded, and I drew the gun (a Python) and
cocked it for each plate. I downed all of them, but my
happiness was shattered by a taunting voice of a 1911 partisan that
said "hey, Grant, I've got a gun that does all that for me!"
After that I removed the SA from my revolvers and started shooting
DA exclusively. It wasn't long before I was beating the guys
(including the loudmouth in question) who were shooting 1911s with
crisp single action triggers. It can be done!
If you have any doubt as to how accurately a double action can be
shot, go watch your local PPC match - there's one just about
everywhere in the country. You'll see lots of folks shooting DAO
revolvers at up to 50 yards and producing groups that can be
covered by your hand. That should be good enough for any defensive
use, and you too can do it with just a bit of practice!
One day, as I was preparing
to go "out" and run some errands, I grabbed one of my revolvers and
a holster and stuffed both into my pants. (Yes, I had a gun in my
pants and no, I wasn't happy to see someone. Everybody's a
comedian.)
Now, as I was saying...as I tightened my belt, I made the mental
note that this gun seemed to be with me more commonly than the
others in the safe. For some reason it just seemed "right" to carry
it most often.
Why? Was it the size, the weight, the caliber, the color, the...???
I wasn't sure, and I'm still not sure. The choice was made, not on
the basis of any one of those traits (or any other), but rather in
spite of them. It is the indefinable "rightness" of the thing; it
is friendly in some way that I can't quite isolate.
Yet I keep thinking of the thing, every time I put it on. I even
consciously decide (on an occasional basis) to carry something
else. The substitute is always a fine gun, fully capable of good
performance, but on those days I miss my "favorite."
Even if the gun is "right" in every way, it still won't be a
"favorite." Good example: a number of years ago, I decided to build
the "ultimate" .22LR rifle. I took a Ruger 10/22 (naturally), and
replaced just about everything in and on the gun. I intended it to
be the most accurate, reliable, and good looking .22 rifle in my
safe.
What came out - which I still refer to as "The World's Most
Expensive 10/22" - was indeed a superbly accurate, easy shooting,
good looking rifle. It is light, handy, has a beautiful walnut
stock that fits me perfectly, and a great trigger; in short,
everything you could ask for in a .22 rifle.
Why, instead of this terrific little rifle, do I usually grab my
early-1950s vintage Marlin 39A - which isn't as light, accurate, or
handy as the Ruger? After all that time and effort, why did it not
become my "favorite"? In every objective way, it is a better gun,
but it seems that specifications alone do not elevate a gun from
mere possession to prized status.
I'm thinking about this a lot lately. I feel - or intuit - that if
I can capture what makes a "favorite", if I can distill into steel
what propels a specific gun for into that position, something
special will come of it. I'll let you know how I progress in what
is starting to sound like a quest!
I recently finished a Ruger
SP101 for Michael Bane, host of "Shooting Gallery", "DownrangeTV",
and well known for his many years of involvement in the shooting
sports.
He's posted a review of his new toy on his weekly podcast.Listen to it
here.
Glad you like it, Michael, and thanks for the kind words!
I may have mentioned that I
spent a period of time in the early 80s as a commercial
photographer. Honestly, I didn't make it all that far; though a
good technician, I wasn't creative enough on demand to sustain a
career. I did learn a lot, though, and I took some of those lessons
and put them to good use in other areas of my life.
One of those lessons - and one of the most important - came in the
form of an article written by Ben Helprin. I have a copy of this
hanging above my workbench, where it serves to inspire me. I don't
know that I'm yet at the "master" stage of revolversmithing, but I
work every day to get a little closer to that ideal.
While obviously photography-centric, this is a profound article for
which you will no doubt find applications in your own life.
Enjoy!
-=[
Grant ]=-
Expert or Master - What's the Difference?
by Ben Helprin
At the top of every craft, there are masters and experts. The
difference between the two was defined by Will Connall (master
photographer, photography teacher, and former head of photography
at the Art Center College of Design in Pasadena, California) this
way:
"Let me", he said, "use the exacting art of platemaking as an
example." (Platemakers are the skilled craftsmen who produce
printing plates for books and magazines.) "If you ask an expert how
he produces the negative for a fine plate, he'll answer: "that's
easy. First I choose the correct size glass plate for the negative
I want. Then, I compute the surface area of the plate and, holding
it absolutely level, I pour exactly one ounce of emulsion for every
40 square inches of surface precisely onto the center of the plate.
Then I rock the glass side-to-side and front-to-back, exactly the
same amount each way, to spread the emulsion evenly. When the plate
is dry, I load it into the copy camera, adjust my lights so that
the original art work is absolutely evenly illuminated and, with
the level of illumination that I use, expose the plate for 20
seconds. I develop the plate for precisely five minutes, process it
normally, the end up with a perfect negative for
reproduction.
"Now," said Connall, "let's ask a master the same question. He'd
reply: Oh, that's easy. First I choose the correct size glass for
the negative. Then, I compute the surface area of the glass and,
holding it exactly level, I pour one ounce of emulsion for every 40
square inches of surface exactly onto the center of the plate.
Well, no, that's really not true. Sometimes I use more than an
ounce of emulsion per square inch. Sometimes less. It depends on
the original copy. And sometimes I don't pour the emulsion exactly
on center. I'll swirl it across to get a different spread. That
also depends on the copy. Anyway, after I pour the emulsion, I rock
the plate side-to-side and front-to-back, exactly the same each
way, to spread the emulsion evenly. But sometimes, of course, I
don't want the emulsion spread evenly. Again, it depends on the
copy. I might want to rock the plate more to one side to get the
emulsion heavier there, or rock it more to the front...anyway, I
rock it, dry it, load it in the camera, and light the copy exactly
evenly - unless of course I want to slightly shade a corner to
knock it down, or highlight a portion of the copy to lighten it up.
I'm not sure exactly how I'll light it until I do it. But after
it's lit, I give it a 20-second exposure. Well, not always 20
seconds...."
And so it goes. Each step of the master's procedure depends, not on
a set series of exacting rules, but on the interrelationship of the
medium, the copy, and the desired final product.
What does this have to do with photography? Well to begin with, it
doesn't mean that you can forget technique or be sloppy in your
execution of it. As Will Connall noted, every master had first to
be an expert. Without that initial perfection of technique, they
could never advance to the master's stage.
Will's apocryphal examples were, however, meant to point out that
technique is by no means the be-all and end-all of photography.
Technique is the base from which you build. But the product itself,
the photograph, must go beyond set rules of technique or
composition, or anything else that says "this, and only this, is
the correct way of producing a photograph."
Look at the work of master photographer Ansel Adams and compare it
to the thousands of technical experts who attempt to imitate him.
The large majority of Adams' imitators do not understand expressive
content, they understand only technique. The do not trust their
inner feelings, the trust only a rigorous set of technical
rules.
A creative photograph is a very unique personal statement, and the
technical aspects of that statement must depend on what you, as an
artist, want to say. Thus, the perfect exposure isn't always one
the reproduces the tonalities of a scene in exactly the same manner
they originally appeared, but one that reproduces them in exactly
the manner you want them to appear. Nor is the perfect print the
one that always exactly matches the contrast of the paper to the
density range of the negative, but the one that exactly matches
paper and film to the contrast as seen by your inner eye. As Paul
Klee said, "the purpose of art is not to reflect the visible, but
to make visible."
So, look at your recent photographs. Are they technically perfect?
If not, you still have a lot of work to do to reach the "Expert"
stage. On the other hand, if your work is technically perfect and
perfectly boring, if it is indistinguishable from everyone else's
technically perfect work, then you have a lot of even harder work
to reach the Master's stage.
For the 3rd time in 3 months, I'm
working on a 9mm revolver. It is the 3rd Ruger SP101 in a row that
has CrimsonTrace LaserGrips installed. Finally, it has the 3"
barrel.
All these "3"s are starting to become unnerving...I feel a bit like
Rod Serling.
---
Michael Bane has a podcast at the top of his blog page these days,
and it's pretty darned good. I'm hoping one of these days he'll see
fit to make it available as a subscription through iTunes (or one
of the other podcast sites) like every other podcast! (Hey,
Michael, that's a hint! I listen to podcasts as I work, and having
one that's not in the same place as the others interrupts my
workflow!)
Seriously, though, it's a great listen.Check it
out.
--
Funny how training manifests itself. We're remodeling the kitchen,
and I'm making good use of my Bostitch nail gun. I've noticed that
I keep my trigger finger straight along the side of the head when
I'm not actually nailing, just as one should with a firearm. I
guess that safety training really has been ingrained!
--
Speaking of safety: handling guns all day long, as I do, always has
a certain amount of danger for accidents. That's why I don't allow
any live ammunition in my shop, period. If you do any dry fire
practice, follow that same rule: no live ammunition anywhere in the
room where you're practicing, no exceptions!
Stacking is defined as an increase
in trigger pull weight toward the end of the trigger's rearward
travel. Some people like it, some don't, and different guns have
varying amounts of it. What causes it?
Some people come up with odd explanations. I recently got an email
asking about stacking; the writer had read "on the internet" that
stacking was caused by the type of spring - coil or leaf - used in
the action. It's a simplistic answer, and it's not terribly
accurate.
An "L" frame S&W uses a leaf spring, and has little to no
stacking; a Colt uses a leaf spring, and has lots of stack. A Dan
Wesson uses a coil spring and it's trigger stacks horribly, where a
Ruger GP-100 uses a coil spring and stacks very little.
The cause of stacking isn't the spring itself; the biggest
determinant is the geometry of the double-action mechanism. In
general, guns using a design where the hammer strut does double
duty as the double action sear (Colt and Dan Wesson) will display
lots of stacking, while those that use a separate strut and sear
arrangement (S&W, Ruger) will display less.
(Some nomenclature: a sear is any pair of surfaces from which the
hammer is released; a strut is the pivoting piece on the hammer,
which the trigger pushes on in order to start the hammer moving
backward. In some guns, the trigger pushes on the strut, and at
some point the sears come into contact and the strut leaves contact
with the trigger; after some additional hammer movement, the sears
slip out of engagement and allow the hammer to fall. The other
design is where the strut actually pushes the hammer all the way
back, at which point it slips off of the trigger and releases the
hammer.)
This isn't a guarantee, though, because there are still a number of
angles between surfaces and pivots that can introduce stacking into
the mechanism. It is possible to design either system to have the
characteristics of the other, though in practice it doesn't happen
all that often.
That's how it all stacks up! (Sorry, couldn't resist the
pun.) -=[ Grant ]=-
Spent part of last Tuesday at the
range, schmoozing with A Famous Gun Writer Who Wishes To Remain
Anonymous (hereafter referred to as "AFGWWWTRA".) We tested a few
guns, talked about revolvers - the kinds of things you'd expect a
gunsmith and a gun writer to do on a range.
AFGWWWTRA happened to have a Ruger Alaskan model in .454 Casull
that was being evaluated. Since I hadn't yet gotten the chance to
shoot one, I really wanted to see what it was like with full-house
loads. I elected to shoot a couple of cylinders worth while
AFGWWWTRA took pictures of the whole debacle. (AFGWWWTRA, it turns
out, is easily amused by masochistic idiots. I'm sure it was meant
as a compliment.)
The first cylinder was fired, sedately, in single action from the
25-yard bench. At that point I was thinking "heck, that wasn't bad.
I wonder what it'd be like in rapid fire?" The second cylinder
full, standing from about 7 yards, was fired as quickly as I could
get the gun back on target between shots.
Just to retain my machismo cred, here I am in the midst of that
sequence, the mighty .454 loads in full fireball-producing
glory: Courtesy
ofAFGWWWTRA
Note the flash from the round just fired, and yet the gun is back
on target and the hammer is about to drop again. Yes, I am
justthat
damn good!(I must be - I tell myself so all
the time!) -=[ Grant
]=-
This is a term used by tool & die makers to indicate
unobtainable levels of (perceived) precision. Why do I bring this
up?
Last week, I was advising a reader on selecting pin gages for use
in measuring chamber throats. The discussion revolved around which
gages to buy, and whether or not he needed both plus- and
minus-tolerance gages (no, in case you're wondering.) He was
concerned about their variance of .0002" (that's 2/10,000th of an
inch, or 1/20th of the thickness of an average human hair. In
machinist parlance, that would be "2 tenths.") As I explained to
him, in practice it's not really possible to measure to that
level.
As I thought about my answers to his questions, I flashed back to a
conversation related to the posts I've made about measuring tools.
A fellow who identified himself as a gunsmith contacted me to argue
about my advocacy of quality measuring tools. "I don't need any of
them overpriced tools - I use [insert name of well known
retailer of low end Chinese tools here], and I can measure down to a
ten-thousandth!" I asked him if what he was measuring was under the
same environmental conditions as the calibration on his micrometer,
and he replied "my mic reads to a tenth - it don't need to be
calibrated!"
Sigh.
When a measuring instrument is calibrated - that is, checked
against known standards and certified as to accuracy - the
environmental conditions of that calibration are recorded. The
calibration is really only valid for those same conditions; if the
temperature goes up or down, that accuracy is not guaranteed.
How much different does a change in temperature make? I did a
little experiment. I got out my Grade 2 Brown & Sharpe gage
blocks, and picked out the .125" block. (The tolerance for Grade 2
blocks is +/- .000002", or two-milliionths of an inch.) On the
calibration certificate, it gives you the deviation from the
nominal dimension in millionths of an inch for each block. In the
case of my .125" block, it has no variance - in other words, it is
guaranteed to measure .125000" at 68 degrees F. Coincidentally,
that is the temperature that my shop generally maintains outside of
the coldest winter and warmest summer months.
After checking the temperature, I pulled out my best Etalon (Swiss)
micrometer and the .125 block. I handled the mic with gloves while
I secured it in its stand; the block was handled with insulated
tweezers (yes, there are such things.) I measured the block under
these conditions, and not surprisingly it measured .1250" on the
nose.
I took the block out of the micrometer, and held the non-measuring
surfaces between by thumb and forefinger for about a minute, then
remeasured. Guess what? Just that small amount of heat had caused
the gage to grow to a bit more than .1251" (a typical mic only
measures to a ten-thousandth, and this fell just between the .1251"
and .1252" marks.) Had I held on to it longer, it would have grown
a bit more. Had I held the mic in my hand while measuring, it too
would have been "off."
That's why they're called "bullshit tenths" - because, without
knowing exactly the temperature of both the micrometer and work,
and at what temperature the micrometer was last calibrated, you
really don't know to the ten-thousandth of an inch how big that
part really is. In other words, until you've met all of the above,
you can't measure to a ten-thousandth of an inch, no matter how
optimistic you are!
Since pin gages are usually held in the hand, as is the piece to be
measured, it would not be possible to get closer than several
ten-thousandths. Factor in the other environmental variables, it's
clear that a) the gages are more accurate than they need to be for
the job asked of them; b) you can't measure to the limit of the
gages, so you don't need both the plus and minus coverage; and c)
worrying about their allowed +/- .0002" isn't at all productive.
Save your stomach lining for more important things.
Those who have highly polished
guns - Royal Blue, nickel plate, or bright stainless - often ask
about the best way to keep these fine finishes looking good.
My recommendation: Selvyt. It's not a paste or a wax, it's a cloth
- a pure cotton, non-impregnated cloth that jewelers have been
using for many decades to give the finishing touches to highly
polished gold, silver, and platinum.
The Selvyt cloth is simply a specially woven cotton that has a
unique nap. That's it, there is nothing more! The process used to
make the Selvyt results in what can only be compared to a cross
between fine velvet and chamois. The result is hundreds of
thousands of miniature "brushes" on the surface that gently polish
without harming the finish in any manner whatsoever.
Selvyt's special cloth also suspends any dust or microscopic grit
inside the nap, so that it doesn't contact the surface being
polished. This is in stark contrast to chamois, which seems prone
to scratching if someone even mentions the word "dust" in the
vicinity in which it is being used! (I'm exaggerating, of
course.)
The Selvyt is especially good for the Colt "Ultimate Stainless"
finish, which is notoriously soft. The Selvyt brings back the high
shine without harming the surface of the steel; it's really
remarkable.
When the Selvyt gets dirty - and it will - just wash like any other
cotton fabric. It will come out of the dryer like new, ready for
more use! I've had one of mine for more than a decade, washed
several times, and its performance is unchanged.
So good is the Selvyt that Purdy - the makers of hyper-expensive
shotguns - sells them under their own name for polishing their fine
pieces. If that isn't an endorsement, I don't know what is!
You can find it at many jewelers, any jewelry supply house, many
silversmiths, and (of course) online. Be careful - you want the
genuine Selvyt cloth, made in England (there are pretenders out
there.) Selvyt also makes an impregnated cloth for tarnish
protection on silver; you do not want that model! Ask for the
plain, un-impregnated, original Selvyt cloth.
The Selvyt comes in several sizes, from 5x5" on up. I like the
14x14" size, which will probably set you back around $10 or $12
these days (I haven't had to buy one in years, so no hate mail if
I'm wrong!) It may seem like a lot for a small piece of cloth, but
it's worth every penny.
Ladies and gentlemen,this thread at THRis why this wonderful medium is
often called the "errornet."
And to think...I do what some internet "expert" says is
"impossible" every day of the week; twice yesterday, in fact. (Oh,
get your minds out of the gutter and go read the
link!)
This is an expansion on an email I
replied to recently. A loyal reader noted that my name had been
brought up on one of the forums (sadly, he couldn't remember which
one) regardingmy
blog article on measuring chamber throats.
Apparently, the gist of the discussion was that the forum's
"expert" (every forum has one) opined that I was full of it for
suggesting that throats couldn't be measured accurately with a
caliper. What's more, someone expressed the thought that a caliper
would show an out-of-round condition, whereas a pin gage wouldn't,
and therefore anyone who didn't use a caliper didn't know what
he/she was doing.
Sheesh! Let's start from the top.
A caliper - whether vernier, dial, or digital - is most assuredly
not a precision measurement tool. Feel free to ask any tool &
die maker the question: "how accurate is a caliper?" I have yet to
meet one who would trust a caliper for anything less than
2/1,000ths of an inch (.002") For reference, this is the difference
between measuring, say, .357" and .359". On a good day (meaning a
very experienced operator) with good equipment (meaning not a
Harbor Freight special) one might be able to do a bit better, but
most people aren't all that experienced, and most do not possess
the top-quality equipment necessary.
This is actually extremely easy to test: take a caliper to a local
tool & die shop, and ask the owner if he'll let you measure his
certified, calibrated toolroom gage blocks. If he lets you (he
probably won't), you'll probably find that getting to within .002"
with any consistency is not possible. I have a set of said blocks,
and I can't do much better - even though I'm experienced, and have
top-end Swiss Etalon calipers with which to work!
There's a reason watchmakers measure parts that must be fitted to
incredibly close tolerances with micrometers, and not calipers. The
same goes for precision machinists. Do I need to keep flogging this
deceased equine?
(I haven't even touched on the need to hold the calipers perfectly
perpendicular to the axis of the bore, and to get the jaws as close
to centered on the inside surface as possible. It's darned
difficult to do under the absolute best toolroom conditions, let
alone at a kitchen table! Errors multiply under less-than-ideal
conditions.)
Let's tackle the second criticism: that one can't measure an
out-of-round condition with a pin gage, therefore the best way to
do it is with a caliper. By now, the answer should be obvious: if a
hole is, say, .002" out of round, and the measuring system can't
get within that range to begin with, it follows that one can't
measure the condition because it's within the amount of "slop"
already present!
In other words, if a caliper indicates that the hole isn't round,
we can't trust it because we don't know if what we're seeing is
real or simply the result of the errors inherent in the device.
Conversely, the absence of a round error doesn't mean that the
throat is round - because it may be within the normal error of the
caliper being used! (This is why one does not use imprecise
instruments when one expects a precise result.)
The exception is if the condition is sufficiently severe that it
exceeds the error of the tool - but if it's that far out, it can be
easily spotted with the pin gage anyhow. While we can'tmeasurean out-of-round
condition with a pin gage, we can certainlyidentifythat an out-of-round
condition exists, and elect to measure it with more accurate
means.
Whew!
Now I'd like to expand on the recommendation in my earlier article.
The reason I suggested using calibrated pin gages for measurement
is because they're cheap (a set to cover, say, the range of a .357
cylinder costs less than $20), readily available, and last forever.
There are other tools that can be used, but all are much more
expensive and require occasional testing & recalibration, as
well as a certain amount of technique.
The best choice is a "tri-mic", made by various companies, which
measures holes at 3 points spaced 120 degrees apart. This is
extremely accurate - the most accurate way to measure a hole - but
that accuracy comes with a price tag of several hundred dollars for
the least expensive example. That's why I didn't recommend them,
though in hindsight I should have at least acknowledged that they
exist.
Bottom line: there is no substitute for knowledge, experience, and
the proper quality tools when one is doing precision work.
I hope this puts the matter to rest - though I somehow doubt
it!
Every so often I'll come up with
an idea that makes absolutely no sense, and I'm not smart enough to
see it.
The other day a client was kind enough to send me an email
exclaiming his delight with the work I'd done for him. In it, he
said that he owned another example of the same model which he'd had
tuned by a very famous gunsmith. (He went so far as to name the
other gunsmith, and the word "famous" is most assuredly proper.)
After directly comparing the two guns, his opinion was that my work
was superior in every way to the other guy's!
Everyone like those kinds of ego strokes, and I'm no different.
Since I'm preparing a new customer testimonial section for the
website, I wanted to use his quote. No problem, I'll just get
permission and I'm good to go!
A moral dilemma immediately presented itself: I actually
entertained the idea of publishing the quote unedited, leaving in
the name of the famous gunsmith. After all, my flawed reasoning
went, at least one other gunsmith does it, so why shouldn't I cash
in on the notoriety too? Why should I hide my light in an ammo
can?
Luckily I decided to run this idea past my "alter ego" - a person I
trust to give me unbiased, unvarnished opinions. This person is
famous in the industry as well, and anyone who has been around the
shooting game for any length of time would recognize the name. (I
won't tell you who it is, because I don't have permission and even
if I did, I wouldn't want to ruin a good friendship.)
We exchanged emails, wherein I expressed my reluctance to name the
gunsmith in question, but also my concern that I was passing up a
grand promotional opportunity. I had the imaginary angel on one
shoulder telling me not to, but a little devil on my other shoulder
(who, as I mentioned in the email, sounded like a cross between
Jackie Mason and Sam Kinison) was telling me to give in to the
temptation. What to do? What to do?
Luckily my friend had no compunction in telling me that I was full
of it. Well, actually, it wasn't that harsh, but it did bring me
back to the proper frame of mind. The recommendation was to listen
to my conscience, because it's there for a reason, and that I
should "go to [my] strengths, not their weaknesses." How come I
never say such profound things?
It's good advice that I plan to take. Whew - that was
close!
I've updated the
"Recent
Projects"
page with an unusual item: a S&W Model 66.
Not that unusual, you say? What if I told you it was one of the
rare 3" models? Would that pique your interest? I thought so -
because it sure excited me when the owner asked me to work on
it!
John Linebaugh is a custom
revolver maker who specializes in caliber conversions on Ruger
single actions. Not just any conversions, mind you - he is the
originator of the fire-breathing .475 Linebaugh and .500 Linebaugh
cartridges.
John first became famous for his modified revolvers that would
should heavy .45 Colt loads (250 grain bullets at 1,700 fps.) His
work with those heavy loads lead him to develop the .475 Linebaugh
and the mighty .500 Linebaugh: 435 grains traveling at 1,300
fps!
Now I just know that some wag is reading this and saying "So? The
.500 S&W shoots those slugs faster!" You bet it does, Pilgrim -
at insanely high chamber pressures, in guns that are big enough to
qualify as crew-served weapons. The Linebaugh cartridges do this at
moderate pressures, and in guns based on nice, relatively
lightweight Ruger Bisley frames.
John has a new website that, sadly, isn't linked to his old site
and doesn't yet show up in the search engines. Here it is - be sure
to bookmark it:
http://www.customsixguns.com/ Be sure to
check out the video of shooting one of his creations - that's what
I call recoil!
So, you're in the market for a
S&W 625, and you're torn between the "standard" 625 and the
Jerry Miculek edition 625. Which to choose?
Well, you have to decide whether the "niceties" - such as the
Miculek grips, interchangeable front sights, and the serrated
trigger - are worth the extra money. There are some internal
differences, though, which you may want to consider.
The Miculek edition is a little unusual, in that it uses a mix of
MIM (metal injection molding) and forged parts. As you may know,
S&W has been using MIM technology for several years now, and
overall it's been a successful transition. However, in order to get
the serrated trigger that Jerry specifies, they decided that to use
one of their "old fashioned" forged parts.
There are a couple of problems with this. First, the interface of
the forged trigger and MIM cylinder stop makes the trigger feel a
bit rough at the very beginning of the trigger stroke - and it's
difficult to get rid of this feeling. Second, the MIM hammer is
given a flash chrome treatment to match the chromed finish of the
trigger. Unfortunately, chrome applied to an MIM part doesn't seem
to stick as well as it does to a forged part, and I've seen several
where the chrome started flaking from the sear surfaces! As you
might imagine, this makes the action quality degrade quickly, and
the problem can only be fixed by replacing the hammer assembly with
a non-chromed version, as comes on the "plain" 625.
Of the 625JM models I've worked on, all of them came in with a
request to remove the trigger face serrations - one of the major
features that Jerry insists on! It seems that serrated triggers, as
much as he likes them, do not fit well with everyone.
Once the hammer has been replaced and the trigger face smoothed,
you're left with the JM grips and an interchangeable front sight -
and the grips are widely available as an accessory. I guess the
whole thing boils down to this: how important are those
interchangeable front sights?
To a person, every one of the JM model owners I've talked with said
that if they knew ahead of time that they were going to put in the
money for custom work anyhow, they'd have bought the "plain" 625
and saved themselves a few dollars. I agree!
A common complaint about the
old-style Colt Detective Special is the unshrouded ejector rod.
Many people believe that the exposed ejector rod is a liability;
should it get bent during a struggle, the theory goes, it will tie
up the gun and make it inoperable.
Not quite.
Many folks have experienced this problem with a Smith & Wesson.
Since their ejector rods are locked at the front and rotate about
the front latch pin, any small amount of runout (deviation from
true) will impose an inordinate amount of friction to the system.
This usually manifests itself as an action that locks up, being
completely useless in double action (and often in single action as
well.)
The unshrouded Colts, however, are a different matter. Since the
ejector rod doesn't have any function other than the ejection of
spent casings, even a large amount of runout has no effect on the
action. In fact, you would have to bend the ejector rod to the
point that it actually hits the underside of the barrel before you
would encounter a problem! Because of the plasticity of steel,
about the only way you could do that would be on purpose, with the
cylinder open - I honestly cannot conceive of any accidental way to
get it into such a sorry state.
I would be remiss if I didn't address the effect of small bends on
the ejection process; a relatively modest bend in a Colt ejector
rod can cause the ejector to stick in the cylinder, so that the
ratchet (ejector star) is stuck in the extended position. This
isn't as much of a problem as you might think - just shove the
ratchet back into the cylinder and the gun is usually ready to be
reloaded.
Every gun has strong and weak points in its design, but in the case
of the unshrouded Colts the exposed ejector isn't one of
them!
I hear the advice all the time:
"buy a stainless gun, because they won't rust." This kind of
comment is what prompted General Norman Schwarzkopf to say "bovine
scatology!"
Yes, stainless will in fact rust under the right conditions. What
are those conditions? Generally, if you get moisture trapped in a
place where it doesn't evaporate normally (say, under a grip panel
or inside the action), you have a situation that is ideal for
corrosion. The situation is worse in very corrosive (salt water,
perspiration) or very humid conditions.
That's not the only thing; even if the frame of your gun is
stainless, there will be some parts in the action that aren't, or
are made of a much less resistant stainless. It's not unusual to
find springs, some screws, cylinder parts, and more that are made
of plain carbon steel. These are just as susceptible to rust as
they would be in a blued gun.
I see quite a number of stainless guns that have corrosion. One
commonality of those I've encountered is that, since the rust is
usually hidden (and less likely to be found because of the belief
that stainless "doesn't rust) it usually does more damage.
Stainless corrosion tends to be deeper, leaving surface pitting
that is more serious than it might be on a blued gun.
If you live in a harsh environment - near the ocean, or in a very
humid climate - or if you perspire heavily, you should treat your
stainless gun more like a blued equivalent. Take the grips off
every time you clean the gun and look for any signs of corrosion;
use gun oil on the entire surface of the gun; clean the bore
immediately after shooting; take the sideplate off occasionally and
lubricate the interior; and always remember that the term is
"stainLESS", not "stainFREE"! -=[ Grant ]=-
Someone recently asked me what
gunsmith(s) I admired or respected, or that I would allow to work
on my own guns. I gave him a few names, and thought you might be
interested as well!
My first entry in this occasional series is Hamilton Bowen. Bowen
is perhaps the gunsmith that the rest of us aspire to be; he
combines technical ability, commitment to quality, and a definite
style that is hard to define but easy to recognize. Bowen does it
all - sophisticated caliber conversions, unusual high-tech
customization, and superb restorations.
Bowen has been building superior revolvers for many years, and his
work has become well known from appearances in various gun
magazines. His fame doesn't stop there, however - he also wrote
what is the definitive book on the subject, titled simply "The
Custom Revolver." If you're into revolvers, this is a book that you
simply must own. (You can buy it through my Amazon
store here.)
Hamilton Bowen is truly the "gunsmith's gunsmith." I'd love to have
him work on one of my guns!
An often misunderstood aspect of
revolver construction is the idea of endshake. Endshake is nothing
more than the amount of back-and-forth movement (or front-to-back,
if you prefer) that the cylinder is allowed to make.
Measuring endshake is easy: using a set of feeler gages, the
cylinder is pushed forward and the barrel/cylinder gap is measured.
Then, the cylinder is forced backward as far as it will go, and the
gap measured again; the difference between the measurements is the
endshake. (When making the second measurement, it is important to
push the cylinder all the way back - even past any cylinder latch
resistance.)
How much is acceptable? That varies depending on the gun; Colts are
the most stringent, and need to have no more than .003" of endshake
for "factory level" condition. A S&W is generally allowed a bit
more leeway.
The amount of endshake any given gun will experience will vary a
bit over the life of the gun. As the cylinder pushed backward by
the force of the firing round, the ratchet (aka "ejector star")
ultimately hits the rear of the frame opening, which stops the
cylinder movement. With each round fired, the ratchet/star is
slightly deformed, and the frame is very slightly stretched. Over a
long period of time, this results in more space between the
ratchet/star and the frame, which increases the endshake.
As the endshake increases, the amount of "free run" the cylinder
has will increase the battering effect against the frame, resulting
in even more wear - which increases the endshake, and the cycle
repeats itself, getting progressively worse.
Why should endshake be a concern? Under the best of conditions, the
revolver cylinder would have zero movement. Of course, that rarely
happens in the real world; some endshake is inevitable. As endshake
increases, though, several things happen: first, the impact on the
frame, and frame stretching, increases; this can, in extreme cases,
result in the frame becoming unsuitable for use.
The immediate effects can be more visible. In a Colt revolver,
excessive endshake results in increased hand wear, which causes the
timing to fail prematurely; in extreme cases, it can also cause
bolt (the little "pop up" half-moon shaped piece in the bottom of
the frame window) to wear to the point of replacement. In a Smith
& Wesson (and to a slightly lesser extent Ruger), excess
endshake manifests itself as an inconsistent trigger pull which
gets worse as the endshake increases. These guns can also
experience increased bolt wear, though not nearly to the degree of
the more closely-fitted Colt.
(Interestingly, the Dan Wesson guns are very robust in terms of
their endshake handing; the spring-loading bearing detent at the
rear of the frame locates the cylinder at the forward-most position
every time, and also serves to absorb a bit of the recoil force of
the cylinder.)
An excessive amount of endshake can also affect accuracy. Not only
does it change the relationship between the chamber and the forcing
cone with every shot (and not necessarily consistently), but it
also changes the barrel/cylinder gap; both can have a negative
effect on the accuracy of the gun/load combination.
Setting the endshake to as close to zero as possible results in
increased frame and ratchet/star life, better action quality in
S&W guns, extended service intervals on Colts, and better
accuracy on all guns. That's why it is one of the first things I
check on any revolver that comes in to my shop!
It's surprising how little
attention is given to the back of a revolver's trigger. I recently
came across a gun that had been worked on by another gunsmith (more
on this in a future blog post), and one aspect of the gun
illustrated the limited understanding of revolver shooting by many
'smiths.
The face of the trigger had been polished smooth, but done in such
a way that the sides tapered to meet the back, leaving an untouched
knife edge. For anyone with more meat on their bones than Nicole
Richie, manipulating the trigger results in a very nasty "pinch" as
the sharp edge traps flesh against the frame.
So, what should the trigger look like? The back edges of a proper
double action trigger should be slightly rounded and polished, to
prevent pinching. The larger the radius of the back edge, the less
chance the trigger will trap flesh. This allows the shooter to
concentrate on the act of shooting, not on avoiding pain.
This is similar to the "biting" problem that many shooters
experience on a 1911 with the standard grip safety. On that gun,
for some reason, everyone "knows" about the situation, and
beavertail safeties are expected equipment. Sadly, this same level
of knowledge has not yet filtered down to the revolver-buying
public - perhaps this will help spread the word!
When doing action work, I ask my
clients how they'll be using the gun. For instance, a competition
shooter who handloads their own ammunition can utilize a lighter
action than someone who needs the gun to work with a variety of
factory ammunition.
Why is this? Well, primers are not created equal - the brands vary
in terms of their sensitivity. Some of this is due to the type and
thickness of the metal that the cup is made from, but there is also
some difference in the primer material itself.
In general, Federal primers are the easiest to ignite; their cup
material is slightly thinner, and softer, than their competitors.
Combined with a primer mix that is well known for its sensitivity,
they require less force to "pop." This translates to being able to
use a hammer with a lighter mainspring, which allows for a lighter
trigger pull.
The primers generally conceded to be the most difficult to ignite
are CCI brand. Their cups are hard and thick, and require a real
"wallop" to work properly. This means that the action is going to
need full-power springs, with the increase in trigger pull that
they bring. Winchesters fall in the middle, slightly more to the
Federal half than the CCI.
In any brand, the magnum version of the primer will be more
difficult to ignite. This is because they typically have harder
and/or thicker cups to withstand the higher pressures that heavier
loads deliver.
This isn't the end of the story though. The Czechoslovakian Sellier
& Bellot ammunition uses what may be the hardest primers made.
Sometimes even the heaviest, hardest-hitting hammers are
insufficient to set this ammunition off, and is one of the reasons
I recommend you stay away from it. CCI Blazer ammunition is known
for being unreliable with lighter actions, as is the "green" or
non-toxic ammunition that's on the market today.
Back to action work...when someone tells me that the gun is for
self-defense, that usually means that utmost reliability is
desired. To get such reliability, it's imperative that the gun work
with any kind of ammunition that one might find on the shelf. In
these cases, I test the gun with CCI Magnum primers - the
hardest-to-ignite primers that you can get outside of the
aforementioned Czech fodder. If the gun will reliably detonate the
CCI Magnums (with zero failures), it should ignite anything you're
likely to encounter.
On the other hand, if the requirement is for a light competition
action I'll test the gun with Federal primers; if I've done my job
right, such a gun will shoot Federals perfectly, Winchesters
somewhat less reliably, and CCI primers very badly. That's the
price for a low trigger weight!
This brings up another topic: that of live fire testing. I'll leave
that for another day, as I've got a story to
tell!
One of the hazards of this job is
that it can cause one to develop a certain jadedness. By that, I
mean the loss of wonder and excitement for the simple joys of
shooting a fine gun.
What brings this up? Well, something that happened recently...you
see, I work on a LOT of Pythons. I see many, many pristine Pythons,
sometimes even apparently unfired examples. In fact, the vast
majority of Pythons I see are in exceptional condition.
A few weeks back, someone sent me yet another Python. When I
unpacked this one, though, something was definitely different. I
was really surprised at how used the gun was; I honestly can't
remember seeing one with that much wear in a very long time. The
blue was heavily worn, there were lots of scuffs and scratches, and
though it still carried its original checkered grips, they were
worn down to the point that they were actually smooth! I've never
seen original grips as worn as those were.
I did the work requested, then headed out to the range to do the
live fire test - along with one of those pristine Pythons which
also needed testing. In the course of the shooting, I found out
some interesting things: first, those well worn grips were
comfortable! I've never liked any of the stock Python grips, as the
only ones I'd ever used were sharp and clean and really
uncomfortable. My hands, though, felt completely at home with those
old, worn grips. (Felt a little like a Single Action Army,
actually.)
In fact, the whole gun just felt "right". I usually don't get too
wrapped up in test shooting - I do a lot of it and it has long
since ceased to be exciting - but I really enjoyed shooting this
old gun, in part because I knew that it had been shot a lot. I
didn't worry about getting it dirty, or scratching it. It was a
machine that was designed to shoot, and had obviously lead a life
where it had been allowed to fulfill that design.
I could only imagine the people that had owned this revolver; had
it been carried by a policeman who understood fine machinery?
Perhaps a bullseye shooter who took pride in the accuracy the old
Colt could deliver? Maybe a hunter, perhaps a forest ranger - or
just someone who liked to plink at the local shooting range?
Whoever it was, they obviously liked the gun - in the way that a
series of small children will latch on to an old, worn teddy
bear.
My thoughts turned to the pristine Python, awaiting its turn. It
just wasn't as exciting to realize that this gun spent most of its
time in a box in a safe, being taken out only occasionally (with
appropriate pomp and circumstance) to send a few careful rounds
downrange. I wondered what the people who designed and built this
superior machine would think; would they want their hard work to be
secreted away, hoarded like a rare coin or stamp - or would they be
happier to have the gun worn out by a series of appreciative people
who enjoyed every shot it would make? Were it me, I'd want the
latter. I hope they would too.
That worn Python - some would call it a "beater" - is a special
gun. No, it's not pretty and it probably won't turn any heads at
the range. But it shoots well, and because of its condition it just
seems right to shoot it. Yes, I told the owner so.
Heard about "MIM" parts? MIM is an
injection molding process for metal parts, and it has been
revolutionizing many industries. In the revolver business, both
Smith & Wesson and Taurus have made use of MIM parts. Like any
new process, however, there are those who decry the new technology;
some gunsmiths spread the misinformation that MIM parts can't be
worked on, and refuse to take in guns using MIM parts. Adding fuel
to the fire are a few well-publicized parts breakages, most notably
with 1911 autopistol sears.
Is there something inherently wrong with MIM parts? No, but the
story is a bit more complex than that.
I have some experience with MIM parts in revolvers; I'm not at all
averse to the use of MIM parts, where appropriate. Note those last
two words!
MIM is just another metalworking method, like forging and casting.
Like those well-established metalworking methods, it has strengths
and weaknesses. Far too few engineers apparently understand
them.
First off, a steel MIM part can be treated like any other steel
part; it can be welded, soldered, blued, hardened, and tempered.
This is important to understand, as there is a perception out there
that the parts are not "real" steel. They are!
The advantages of an MIM part do not generally include raw cost;
the material is expensive, and the molds are horrendously
expensive. The benefits come in the area of post-fabrication. The
MIM part, as noted, can be heat treated - the benefit is that they
don't need to be, as the hardness of the part can be engineered in
when the part is made. The parts come out ready to use; no
additional surface finishing is generally needed. Finally, the
parts can be made in shapes that would be extremely expensive or
nearly impossible to economically machine.
The downsides? Cost, as already noted. Additionally, the tolerances
for an MIM part generally need to be larger; it's hard to hold them
to .001" in all dimensions (though they're getting better all the
time.) Another problem is that the technology doesn't work all that
well for parts that are more than about 3/8" thick (again, this
gets better on an almost monthly basis), nor on stressed parts that
are very thin.
There are other, less obvious pros and cons of MIM parts, but you
get the idea - MIM, like anything else, is a balancing act.
Now here's the part that those of you who aren't fond of MIM should
understand: the problem isn't with the technology, but with the
engineering behind the part itself.
As noted, MIM on a per-part basis is pretty expensive, but since
they can be engineered with specific traits they can eliminate some
expensive secondary operations - hardening, for example. Here's the
problem: let's say that you are building 1911 sears, and MIM seems
a good method for producing them. You decide that the sear has to
have a certain hardness (so that it doesn't wear), and since the
surface finish is good "as produced" you think you're home
free.
The trouble is that the MIM part is the same hardness all the way
through, since that's how it was engineered. This is great for
reducing sear face wear, but with hardness comes brittleness - and
that thin edge is quite brittle. What you need is a surface
hardening of some sort for wear resistance, with the underlying
material left softer for strength. You COULD do that with an MIM
part, but if you did you'd negate one of the primary benefits of
the method: the elimination of secondary operations. So the company
chooses to continue to use the MIM part as designed, and which is a
poor choice for the application. No wonder some people don't like
them!
The bottom line: if you have trouble with MIM parts, it's not the
part's fault - it's the fault of the engineers in the company that
designed the part. (Frankly, I wouldn't want to buy an entire gun
from a company that botched the engineering that badly, regardless
of whether or not I replaced the parts in question. I'm funny that
way!)
I've put a new page up on the
site! Called"Recent Projects", it is just what the name
implies: a place for me to share some information about recent
revolvers that I've built.
This page is intended to be a bit different than most other such
pages on your average gunsmith's site. You may have noticed that I
like to give my clients and potential clients as much information
as possible, and this page continues that tradition. I've browsed
around a lot of custom handgun sites, and frequently all I see are
a few (usually bad) pictures of a gun - and nothing more. I always
want to know more about the gun: what kind of work was done, what
kind of unusual features were added, the gunsmith's intent and
philosophy, and perhaps a bit about how the gun performs. In other
words, I want to know if that would be a gun I'd like to have for
myself!
On myRecent Projects
page,
you'll see the gun, learn about how it was built (and why it was
built that way), and much more. The first entry is already up:
anice Ruger GP-100that I recently
finished for a client. I started with a gun that was slightly
"ratty", and...well, take a look and see how it came out!
I had an interesting email
recently. The writer said that he'd contacted a number of gunsmiths
to inquire about action work. In every case, he said, all he could
get out of them was "we can make it lighter." Occasionally I'll get
an inquiry from the other side of this phenomenon - someone whose
only question is "how light can you make it?" Why this fixation on
pull weight? I believe it's because people just haven't been
properly educated!
If you've read my essay on "What makes a good trigger?", you already know about the
factors that go into a quality action job. (If you haven't read it,
go ahead and do so now; I'll wait.)
Back already? OK!
When having action work done, there are three competing performance
criteria: weight, reliability, and return.
Weight is self explanatory, and is what most people relate to. I've
covered this in the article referenced above, so I won't go into
more explanation - except to say that weight isn't the only thing
you should consider, and if that's all your gunsmith can talk about
you might want to re-think having him work on your gun!
The second performance criteria is reliability. When I speak of
reliability, I mean the expectation that the gun will ignite
primers from all common ammunition 100% of the time in both single
and double action. That means even the hardest primers being made
(currently CCI Magnum primers) will light off every time that the
hammer falls; anything else is less reliable. A gun that fires off
Federal primers all the time, Winchester most of the time, and CCI
Magnums about half the time isn't reliable; it may beacceptable for
the usethat
the gun will be put to, but it is not reliable. (As it turns out,
the more reliable the ignition, the more accurate the gun will be.
There are a number of reasons for this, which I'll go into in a
later article.)
Finally, there is return, or the action of the trigger resetting
itself. In the article I referenced above, I talked about
thequalitiesof trigger return -
but there is more to consider. One way of lightening the overall
pull weight of the action is to reduce the spring tension that
powers the trigger return. This can introduce a couple of undesired
side effects; first, the return spring tension can be so low that
the trigger "sticks" and doesn't return (most prevalent on guns
where the quality of the trigger return, in terms of smoothness,
isn't understood or is ignored.)
The second side effect is that the return speed is lowered. This
results in the shooter being able to "outrun" the trigger, shooting
faster than the trigger will reset itself. This can cause premature
cycling of the cylinder (the cylinder rotating without the hammer
being cocked and dropped) or action locking (requiring the shooter
to stop his/her pull, let the action reset, and then restarting the
pull - most common on Rugers.) In a competition, these side effects
can lose points - in a self-defense scenario, they might cause you
to lose something more precious!
Here's the "kicker": when getting action work done, you get to
choose any two of the three performance criteria, but not all
three. For instance, if you want light pull weight and good
reliability, you're going to sacrifice return. If you want light
pull and good return, you're going to sacrifice reliability. If you
want reliability and fast trigger reset, you're going to have to
learn to deal with heavier pull weights!
There is no free lunch, and there isn't a gunsmith in the world who
can repeal the laws of physics; you get any 2, but not all 3 in the
same gun. You have to make the decision as to what is best for your
intended use!
Let me illustrate: I am starting work on a Ruger SP-101 that is to
be shot by an older lady. She only shoots reloads that her husband
makes for her, and only at the range (this is not a defensive or
competition piece.)
The primary concern is ease of cocking the gun in single action; it
won't be used in double action at all. So, the criteria that is
important in this case is action weight; we don't care all that
much about return (other than it actually do so - the speed isn't a
consideration), and since the fellow can load the ammunition to
shoot in this specific gun (he will use whatever primers necessary
to make the gun run), reliability is not a concern. This is a great
example of tuning the action to fit the use!
For a defensive gun, reliability is the first consideration, with
return second. For a competition gun, say for ICORE or USPSA (or
even IDPA), the speed of the action reset is paramount - followed
by a light pull weight. The competitor will usually select or
reload ammunition to suit the gun, which makes reliability (in the
sense that I use the term) less a concern.
If all a gunsmith can talk about is how light he can make the
action, he's ignoring fully two-thirds of of action performance.
This is a two-way street, though - its not just gunsmiths who don't
understand this stuff! Shooters raised on the typical gun rag
articles never learn about this either, because all most writers
know how to discuss is pull weight.
When I get an inquiry from someone whose only question is "how
light", I try to educate him or her to make more informed choices.
I hope I've been able to do that here!
There is a huge amount of misinformation regarding revolver
accuracy. Folks, assuming that you have a gun in proper repair -
timing, lockup, chamber-to-bore alignment - the most important
factor in accuracy is the chamber throat dimension.
What is the chamber throat? It is the slightly constricted opening
in the chamber, just in front of the cartridge mouth, that the
bullet passes through on its way into the forcing cone. The throat
gives the bullet its first stabilizing guidance, and many people
better than I have demonstrated that it is critical to good
accuracy - perhaps more than the bore itself!
The best accuracy is obtained when the bullet diameter and the
throat diameter are exactly the same; in the case of lead bullets,
it can be up to .001" smaller than the bullet diameter with good
results. If the throat is larger than the bullet, then the bullet
sort of wallows through the throat and never does get that initial
guidance. Accuracy will suffer.
It is therefore important to serious shooters to know what their
throat diameters actually measure. Now, I took heat from some
internet experts recently when I stated that one cannot get proper
measurements of throat diameters using calipers - dial, vernier, or
digital. One fellow wrote me that he'd been doing it for years with
nothing more than a cheap dial caliper, and the readings were
always "nuts on!" While I don't wish to argue with anyone, let me
relate a little test I did.
I took a cylinder that happened to be on my workbench - a S&W
Model 60 "J" frame cylinder - and measured its throats with
calipers, then with a set of certified pin gages. There were three
different calipers - a vernier, a dial, and a digital electronic -
all of Swiss origin. The Swiss make the finest calipers on the face
of the earth, and substantially better than the Chinese tools most
stores sell. In addition, I've been measuring very precise watch
and clock parts since I was a teenager, and have more experience
using quality measuring devices than the vast majority of people
you are likely to meet. In other words, I know what I'm doing and
I've got the best tools to use!
I started by checking the throats from several angles, to eliminate
the possibility that they were oval instead of cylindrical. Since
this is a brand-new cylinder, the readings were identical, showing
that the throats were indeed machined correctly.
What did I find? The vernier caliper indicated the throat diameter
was .355+", the dial caliper showed .3560", and the digital read
.3555". Now for the moment of truth: the certified pin gages, which
are the most accurate method of determining a bore size, proved
that the bore was in fact .3585" ! That is between .0025" and .003"
discrepancy!
Precision machinists will quickly tell you that a caliper - even
the best, like I have - are only good to a "couple of thousandths"
(.002"), and not reliable at all for inside measurements under a
couple of inches. (Frankly, I was surprised that I got as close as
I did!) The verdict? One simply cannot measure throats precisely
with a caliper, even using the best that money can buy - they
aren't sufficiently accurate.
(It should not come as a surprise that I'm not a big fan of
calipers; I don't use them for anything remotely critical. I
consider them to be "ballpark" instruments at best, and rely on
best-quality Swiss micrometers for about 90% of my work. What does
your gunsmith use??)
As previously mentioned, I acquired one of the recently imported FN
"Barracuda" revolvers, and am in the midst of determining what to
do to improve the action. I have to make a living, too, so this
isn't on the top of my priority list....be patient!
In the meantime, I have managed to develop some information about
the lineage of this gun. Some less-informed sellers have been
insisting that the Barracuda was made in Belgium, and that the very
similar Astra was either a rip-off or a licensed copy. To quote one
internet 'expert': "The FN Barracuda was the only revolver FN ever
made. They were made a little over 20 years ago and dropped as they
never sold as FN thought they would. They are not Astra's nor are
they copies, they are entirly FN made."
Trouble is, that is a complete untruth. If you have a Barracuda,
pull the grips off; on the left side of the grip frame, next to the
mainspring adjustment ring, you'll see the gun's proof marks.
You'll note that the proof marks are all from Eibar, Spain - there
are no FN Herstal or Liege (or any other Belgian) proof marks on
the gun.
Serendipitously, I also have a cross-check: I recently came into
possession of an Astra-badged version of this gun. Guess what? Same
Spanish proof marks, in the same spots, as the FN version.
Conclusion: The FN Barracuda revolver was definitely
NOT produced in Belgium, and was
definitely NOT made by FN. It was in fact
made in Spain by Astra, for it is their
proof marks that adorn the gun. I hope this settles the controversy
once and for all!
Occasionally someone will call or email: "I'm looking for a good
gunsmith - do you work on Taurus revolvers?" When I politely inform
the person that I do not, the result is often indignance, as if to
say "how dare you decline to work on my fine possession! You have
insulted me, suh!" (Delivered in the best antebellum manner, of
course.)
Taurus revolvers possess many positive traits: they're available in
a wide variety of calibers and configurations, they are usually
fairly reliable, and they are priced right. Unfortunately, it's
that last bit that gets me into trouble.
You see, the most expensive part of building a handgun,
particularly a revolver, is the finishing work. You can't automate
the polishing process, and Taurus revolvers are generally very well
polished and finished. Given their low price point, this means that
finishing is a large percentage of the purchase price. This means
that they have to skimp somewhere, and the place that they do is in
parts fitting.
Taurus guns have parts that simply do not fit as tightly - as
precisely - as some other manufacturers. Yes, you can do a
shadetree action job, maybe swap springs, and improve the action -
but it will never be truly 'great' without rebuilding the
gun.
I've purchased a couple of Taurus revolvers (Taurii??) to work on,
to evaluate. While I like the guns (the now-discontinued model 445
is really neat, and I carry it occasionally) the effort to put a
truly world-class action job on one results in huge labor
costs.
Look at it this way: if you want a top-end wheelgun you have to pay
for fitting parts at some point. With a Taurus, it doesn't happen
at the time of purchase; it can only occur in the gunsmith's hands,
which drives the cost up considerably. Like the folks who
commissioned custom Norinco 1911s about a decade ago, what you end
up with is a really expensive $300 gun
that no one wants to buy.
I'd rather spend my time working on revolvers that will actually
see an increase in value after quality work has been done, and I
suspect their owners are the same way. That just won't happen with
a Taurus, because after all is said and done it'll still just be a
Taurus.
Many people have been following the situation with the North
Carolina Dep't of Corrections and their self-destructing S&W
revolvers. If you haven't,here's a link to the story.
These pictures of one such occurrence have been floating around the
net:
I've been exchanging emails with C.E. "Ed" Harris, who many will
remember from his days as the head of Q.C. at Ruger - when they
experienced a similar problem. Here's what he had to say:
"Old
problem rearing its ugly head again, not really a new problem. A
troublesome sporadic one when people forget about good shop
practices and get sloppy.
Stress corrosion cracking is generally caused by contamination by
solvents or cutting fluids too high in chlorides. Over-torquing
barrels barrels creates a stress rise at the root of the thread
which makes the problem worse. Microscopic examination of the
failed barrels would be obvious to a competent
engineer, especially familiar to those with aerospace or nuclear
power systems experience.
Ruger had a short run of this back in the 1980s when they first
starting making stainless magnums. I saw a few dozen guns come back
when I worked there. All were traced to one guy on night shift who
was over-torquing barrels on Redhawks which didn't quite line up,
instead of taking a pass off the front of the frame on a Blanchard
grinder as he should have done. He also used a wrong, slippery high
sulphur thread lubricant intended for chrome-moly instead of the
anti-seize compound used with SS.
This condition is aggravated by tight fit of barrel threads, such
as when using a class 3A, combined with high stress, high
temperature, and high barrel torque. Ruger fixed their problem by
changing to a looser 2A fit on the barrel threads and assembling
barrels to the frames using a Loctite product to cement them
solidly while reducing stress on the threads and positively
preventing any seepage of cleaning solvents into the barrel threads
after they left the factory."
If true, this wouldn't be the first time S&W has over-torqued a
barrel: the Model 442 Airweight Centennials, particularly in nickel
finish, are somewhat notorious for frame cracks under the barrel. A
phone conversation with a S&W representative confirmed to me
that the cracked frames were caused by barrels that had been
screwed in "too tightly."
However, there's always the possibility of
user error, such as the use of certain
products that contain chlorine compounds (brand name removed for
obvious reasons):
"Use of
[lubricants containing chlorine compounds] "could" do it, as could
any number of other cleaners, especially if used with an ultrasonic
which enhances thread penetration."
There are certain "miracle" gun lubricant products out there that
contain chlorine compounds, and have become popular amongst the
more "martial" crowd. In addition, ultrasonic cleaners have been
very popular at many police agencies over the last decade or
so.
Well, I got an email from one of the employees at the agency, and
he claims that they use Hoppes bore cleaner, and that they do not
have an ultrasonic!
So we're back to the first possibility. Given Ed's expertise, I
suspect that his analysis is the correct one.
There is an assertion that comes up with surprising frequency,
particularly in the internet age where everyone is an expert: the
Colt Python (and all other Colt revolvers) are "delicate", "go out
of time easily", or "not as strong/durable as a S&W."
Let's start with the construction: a Colt revolver, for any given
frame size, is as strong as any gun with that frame size. Their
metallurgy is absolutely the best, and their forged construction is
of superior quality. They are superbly made, and their longevity is
a testimony to that fact. You are never compromising when you
choose a Colt!
How about the charge of "delicate" or "goes out of time easily"? In
my work, I see a lot of Colts; I shoot them extensively myself.
With proper maintenance, I've seen no tendency for any Colt to go
out of time. Yet, the rumors persist!
Why do such opinions exist if there wasn't some basis to them? Is
there some amount of truth? I think I can answer that!
Let's start with some facts: Colt revolvers have actions which are
very refined. Their operating surfaces are very small, and are
precisely adjusted to make the guns work properly. Setting them up
properly is not a job for someone who isn't intimately familiar
with their workings, and the gunsmith who works on them had better
be accustomed to working at narrow tolerances, on small parts,
under magnification.
Colt's design and construction is unique; it uses the hand (the
"pawl" which rotates the cylinder) and the bolt (the stop at the
bottom of the frame opening) to hold the cylinder perfectly still
when the gun fires. The action is designed so that the hand - which
is the easiest part to replace - will take the majority of the
wear, and is expected to be changed when wear exceeds a specific
point.
This is considered normal maintenance in a Colt revolver, which is
not the case with any other brand. To get their famous "bank vault"
cylinder locking and attendant accuracy, you have to accept a
certain amount of maintenance; it goes with ownership of such a
fine instrument.
I've often made the statement that a Colt is like a Ferrari; to get
the gilt-edged performance, you have to accept that they will
require more maintenance than a Ford pickup. Unlike gun owners,
however, folks who own Italy's finest don't complain that they are
more "delicate" than an F-150!
I truly think that the negative reputation that Colts have in some
quarters is because their owners - unschooled in the uniqueness of
the Colt action - apply the same standards of condition that they
would to their more pedestrian S&W guns.
What standards? A Colt, when the trigger is pulled and held back,
should have absolutely no cylinder rotation. None, zip, zilch -
absolutely no movement at all! Not a little, not a bit, not a
smidgen - zero movement. A S&W, on the other hand, normally has
a bit of rotational play - which is considered absolutely normal
and fine.
There's another measurement to consider: at rest, a Colt cylinder
should move front-to-back no more than .003" (that's 3/1,000 of an
inch.) This is - in the absolute worst case - about half of the
allowable S&W movement!
Now, let's say a S&W owner, used to their looser standards of
cylinder lockup, buys a Colt. He goes and shoots it a bit, and the
hand (which probably has a bit of wear already, as he bought it
used) is approaching the normal replacement interval. He checks his
gun, and finds that the cylinder has just the slightest amount of
movement when the trigger is back, and half of his S&W's
longitudinal travel. Heck, he thinks, it's still a lot tighter than
his Smith so it must be fine to keep shooting it.
WRONG! It's at this point that he should stop shooting, and take it
to an experienced Colt gunsmith to have the action adjusted. Of
course, he doesn't do this - he keeps shooting. The cylinder beats
harder against the frame, compresses the ratchet (ejector), causing
the hand to wear even faster, and the combination of the two leads
to a worn bolt. If left unchecked, the worn bolt can do damage to
the rebound lever. When it finally starts spitting lead and
misfiring, he takes it in and finds to his astonishment that he's
facing a $400 (or more!) repair bill, and perhaps a 6 month wait to
find a new ratchet.
Of course, he'll now fire up his computer and declare to anyone who
will listen that Colts are "delicate" and "go out of time easily"
and are "hard to get parts for." That, folks, appears to be the
true origin of these fallacies.
Colts do require more routine maintenance, and a more involved
owner; that's a fact. But, as long as the maintenance is performed
properly, a Colt will happily digest thousands upon thousands of
rounds without complaint. The owners who take care of them will be
rewarded with a gun that is a delight to shoot, wonderfully
accurate, and visually unmatched. Those who don't will sell them
off at a loss and complain on the internet.
I sincerely hope that you will choose to be the first type of Colt
owner. If, however, you are the second, please drop me a note - I'm
always in the market for Colt revolvers at fire-sale prices!
You're
reading... The Revolver Liberation
Alliance! The blog about revolvers,
training, self-defense, and shooting in general (along with an
occasional surprise!)